A group of teenagers go for a partying weekend in the woods. Unknown to them the woods they have chosen is home to a legend. The legend of a young girl who was bullied and then committed suicide. Are the woods haunted by a peaceful spirit or a spirit hell bent on destruction? Or is everything not quite what it seems? Watch as our teenagers fight with all their might to survive until morning. 该(gā(🗒)i )片是(🎯)以现在(♎)的 商(🛣)(shāng )界奇(🚃)才“史(🦇)玉柱(zhù )”为原(🎁)型人(🤒)物的(de )创(🛷)业 故事进行(🚞)多次(cì )改编(🎚)而成。 Four young people come to Mallorca to enjoy idyllic summer holidays, but delving into the most inhospitable places on the island will begin a hellish journey. 人據(jù(🌒) )說一生最多有十(shí )萬條頭髮，每一(yī )條頭髮質(🍴)感長度(dù )有(🏎)(yǒu )異，但(☕)都承(📲)載著(zhe )煩(🖨)惱的(🦌)回憶。「(🍤)時光(💷)理髮(🏡)」剪掉(⛔)(diào )的不只是(👽)頭髮，還(hái )有(🐗)街坊不快的(🖲)記(jì )憶。行將式微的(de )舊式廣東理髮店(diàn )店主海(🔃)泉叔指望(wà(🥟)ng )兒(ér )子(🍳)長發(😤)繼承衣(🛷)缽(bō(👯) )，不過兒(🏽)子卻(🔧)更(gèng )想當文(🔩)青，希(🌴)望(wàng )透(⛽)過文字和音(♑)樂(lè )改變世(💇)界。一次意(yì )外，長發被迫代(dài )父親落場當師傅(fù )，透過理髮(🐘)為街(jiē )坊排(💏)憂解難(🕋)，更與(🥨)(yǔ )離家(🔎)出走(🏣)少女相(xiàng )遇(📥)相知(🏏)，重新反(🔲)(fǎn )思自己的(🤮)前路。傳統理(👮)髮店交織(zhī(🔛) )舊(jiù )區鄰里人情，《點五步》男角岑(cén )珈其化身理(🛐)髮店(diàn )傳人(🦉)，演出清(🎎)新(xī(🏊)n )自(zì )然(💎)。 《四个(🏘)春天(tiā(📉)n )》是一(🚆)部以真实(shí(🍆) )家庭生活为(⭕)背景(jǐng )的纪(🤔)录片。15岁离(lí(🚝) )家，在异乡漂泊多(duō )年的导演以自己(jǐ )南方小城里的父(fù(👎) )母为主角，在(🐃)四(sì )年(🔷)光阴(🚫)里，以一(🐌)己(jǐ(👁) )之力记录了(⤴)他们(🔫)(men )的美丽(🔝)日常。在(zài )如(📬)诗的乐活慢(🛀)生(shēng )活图景(📁)中，影像(xiàng )缓(huǎn )缓雕刻出一个幸(xìng )福家庭近二(🎱)十年(nián )的温(🈶)柔变迁(✴)，以(yǐ(👓) )及他们(🏿)如何(⏰)以自(zì(🏀) )己(jǐ(🥅) )的方式面对(🈵)流转(zhuǎn )的时(⛎)间、人生的(📐)(de )得失起落。 作(🥝)家(jiā )欧阳坤新婚，新(xīn )婚(hūn )妻子沈静轩却与(yǔ )欧阳坤的同(🍭)学萧(xiāo )炎，产(🐉)生情愫(🤤)，使得(🎐)婚姻破(🔵)裂。 辉(🤛)煌的吉檀迦(🛡)利家(⌛)(jiā )族只(😽)剩下公主一(😑)(yī )个人，当了(🧦)“女(nǚ )王”的她(🍧)与权力(lì )至上的政客发生(shēng )矛(máo )盾，不知道如(🐗)何(hé )面对以(⏱)后的种(📢)种(zhǒ(🏬)ng )问题。还(🥖)好先(😮)王(wáng )最(🥏)信任(🐎)的贴身保(bǎ(❣)o )镖(biāo )巴瓦尼(🚲)在女王左(zuǒ(♐) )右协助她打(😚)理一(yī )切，慢慢的女王(wáng )与忠诚的巴瓦尼(ní )走(zǒu )得越来越(📁)近。 Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.