Dave Stimple, an unfocused mattress store owner, is having issues connecting with everyone around him. He arrives at the shop one morning to find the local health and safety people have shut him down. Bugs, huge bed bugs and lots of complaints are cited as the reason. Dave is really confused and his relationships with his wife, friends, and his own humanity seem to be devolving and increasingly distracting anomalies begin to take over his reality. But his issues may not be as internal as they seem. Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy. 这部电(diàn )影(yǐng )以著名作家兼记(💮)者Mintu Gurusariya的自(🥉)传Dakkuan da Munda为基(🍉)础(chǔ )。当他(tā )是(shì )一名年轻的卡巴(👽)迪球员(🐘)时(shí )，Mintu成(🆒)为(wéi )吸毒成瘾(yǐn )者。接触毒品也将(🔣)他引入(🚫)(rù )犯罪(🏌)市(shì )场(chǎng )。但今(jīn )天，他成了年轻人(😱)及其家(🥃)(jiā )人的(🐶)灵(líng )感(gǎn )，因为(wéi )他设法摆脱了他(🥛)的束缚(🔒)，打破了(🏥)(le )他(tā )与毒品(pǐn )和犯罪的关系。 麦子的丈(zhà(🔪)ng )夫马豆(🥖)(dòu )根(gēn )在煤矿(kuàng )事故中受了伤，完全瘫痪(🌃)(huàn )不能(🔪)治(zhì )愈(🉐)(yù )，由此引发出麦子跟马豆根和矿(👪)(kuàng )主老(🙍)于之(zhī(🔌) )间充满悬疑色彩的一场人(rén )性较(😘)量(liàng )，麦(🔭)子用(yò(👪)ng )她的坚贞和执着发现了美(měi )丽谎(👭)言(yán )背(🙀)(bèi )后的(🍷)真(zhēn )相，她对未来的生活也不(bú )知(👺)会做(zuò(🚂) )出(chū )怎(🎣)样的(de )选择。 摄影师王树因一次(cì )“死亡(wáng )拍(🌁)(pāi )摄”获(🍏)(huò )奖并一举成名，于此同时(shí )他也断(duàn )送(📬)(sòng )了自(〽)己(jǐ )的(🔷)摄影生涯。在舆论的审(shěn )判下，没(mé(❕)i )有一家(🤰)摄影公(🍿)司愿意接纳他，王(wáng )树不得不(bú )转(🙌)行维持(🤑)生计，不(🈯)想却变(biàn )成了网(wǎng )络(luò )爆红的(de )“审(🥅)判者”，并(🐘)陷入了(🐉)一(yī )宗扑朔(shuò )迷(mí )离的死(sǐ )亡绑(🎀)架事件(🌍)，踏上了(👁)“心(xīn )灵审判(pàn )”的漫漫(màn )长路...... Aom is haunted by horrible nightmares which can’t be named & explained, she gets sicker everytime she got the nightmare. During her visit to her 80 years old grandma, she find out that, her grandma who looked more dead than alive, is hosting and feeding a ghost. ユミは夫(🔓)と娘の(📻)３人暮らし。近々引っ越しを考えている(🗞)。ユミは(💉)娘(niáng )の(🗳)レイナが時折うわ言を発するこ(🐰)とが、(🔽)少々気(🏵)にかかっていた。転居の報告も兼(🔶)(jiān )ねて(🤢)友人ヒ(👵)ロミと久々に再会するユミ。話題(🚎)はいつ(🔸)しか「(🌹)あの日(rì )」のことに。「私たちが(🖤)埋めた(👀)時、本(🎢)当(dāng )に死んでたのかな？」。ユミは「あ(🤧)の日(rì(🖋) )」のことを清算(suàn )すべく、サエ、アコ(📠)にも再(🥩)会を決(jué )意し、廃墟のような家に一人(🤦)で住む(🆎)サエに(🔲)会いに行く。サエは、見知らぬ少(🎭)女が現(💨)れて娘(😔)だと言って聞かず、しばらく一(🥂)(yī )緒に(🧤)暮らし(🎴)ていたが死んだこと、そして少(⬇)女は死(🍣)んだま(🚿)まその家(jiā )の３階(jiē )に寝かされ(🕝)ている(🈲)という(♈)ことを話(huà )し出す。(C)「黄泉(quán )がえる少女(🧢)」製作(🐵)委員会(huì )