The nightmare was about a demonic possession. A long time ago, there was an evil in a small town and it was jealous of the girl and would never let her go, since the devil loved the girl. One night, the evil raped the girl and she became pregnant. After months the girl could not hide her baby, her father figured her secret out and clapped the girl in irons and locked her room door. But the evil put the gun to her father' temple and saved the girl. The father had a stroke and had been sleeping on the bed for three months and died. Time went on and the girl brought a child into the world. Naturally, people who were living in the village heard the story and they did not want to see neither the girl nor the baby since when the baby was born, plants dried in the field, fishes lost in the lake and people had prayed to the god for rain, but nothing changed in the village. People got so angry, dug a hole in front of the fountain, put her into the hole and threw stones at her face. The girl died soon after. The evil went off the deep end, took a revenge of the village and killed everyone except two sisters because the evil wanted them to take care of its baby... 一部关(guān )于(🕒)(yú )禁(jìn )毒(dú )的(🍙)(de )公(gōng )益院线电(🥡)影。 获美国戴维(✈)斯电影节最佳网(🔝)络电影奖 MANOS Returns is the follow up film to the cult favorite Manos: The Hands of Fate, created by Jackey Neyman Jones who portrayed Debbie from the original film. Inspired by Brexit and Donald Trump, Last Village on the Right is a delightfully tongue-in-cheek comedy-horror, following a group of American film makers on the way to the Cannes film market to sell a horror film, when they get lost and find themselves in a stunning small mountain town in the South of France, where a strange couple, Adolphi and his wife Kiki, seduce and murder tourists. Last Village on the Right will be a universally enjoyable, terrifyingly hilarious romp through the Pyrenees, which will have audiences rolling in the aisles. 民国(✖)乱世，军阀混战(⬅)，蜀中唐门、驻(🐸)地军阀、搬山(😱)道人三股势力(🤠)为了争夺上古(🈸)至宝雮尘珠各(💫)展(🚛)所能。唐缺、段(📝)瑶、杨八全为(🥈)了阻止雮尘珠(😛)召(zhào )唤(huàn )不(bú(🕤) )死(sǐ )神(shén )兵(bī(🧥)ng )屠(tú )戮(lù )众(zhò(🌠)ng )生(🔹)(shēng )经(jīng )历(lì )了(✳)(le )一(yī )段(duàn )友(yǒ(🤹)u )情(qíng )、爱(ài )情(🎇)的恩怨纠葛。蓝(🐸)色月食出现的(🦒)那一刻(kè )，雮(mù(🦒) )尘(chén )珠(zhū )在(zài )帝(🍩)王冢之上召唤(🍇)出数不尽的兵(🔰)俑。众人一如千(🤨)年前封印雮尘(📉)珠时那样，用真(🛒)爱克制了魔性(😡)，用友情和牺牲(💛)换(😫)来了和平。 《花小(🦀)楼之捣浆糊》主(⬆)要讲述了喜欢(👯)吹牛皮的花小(🛴)楼（欧弟饰）(🗂)为了充(chōng )面(mià(😗)n )子(🏅)(zǐ )租(zū )了(le )合(hé(🐄) )约(yuē )女(nǚ )友(yǒ(🌡)u )王(wáng )小(xiǎo )美(mě(😰)i )（徐(xú )冬(dōng )冬(😁)(dōng )饰(shì )）来(lá(🌞)i )撑场面却意外(🆎)卷入一起倒文物(🌹)走私贩子的(de )交(🛸)(jiāo )易(yì )当(dāng )中(👍)(zhōng )，几番周旋，多(🦑)方混战，花小楼(🍤)和王小美一起(♓)胡搅蛮缠，离间(🅰)各方，最后成功追(🌖)回损失和爱情(🔞)的故事。 Ann is consumed by the fantasy of finding true love. Just when she thinks she's found it, she is friend-zoned. The disappointment of rejection sends her into an obsessive downward spiral that tests the limits of her sanity and the strength of her closest friendship. In order to reclaim her bearings on reality, she confronts her overgrown fantasies by making a film about the experience. The result is a vulnerable, hilarious, and vibrantly stylized investigation of love.@ 在《琐事(🙄)烦心》（Wolfsbergen，2007年论坛(🕘)单元），《布朗运(🔹)动》（Brownian Movement，2011年论坛单(〰)元）和《一切很(🍁)安(😦)静》（Boven is Het Stil，2013年(nián )全(quá(🚣)n )景(jǐng )单(dān )元(yuá(🤪)n )）之(zhī )后(hòu )，荷(📅)(hé )兰(lán )导(dǎo )演(💬)(yǎn )娜(nà )诺(nuò )克(🥀)(kè )•利奥波德(🍧)将会带着新片来(🌅)到2018年的柏林电(⏪)(diàn )影(yǐng )节(jiē )在(🥦)(zài ) Generation 14plus中(zhōng )角(jiǎo )逐(🛎)。以她特有的沉(🍧)静的激进主义(🥐)风格，她的新片(🕣)跟随着15岁Cobain的脚步(✊)，在城市里徘徊(💋)，寻找他自毁的(💱)母亲。在途中，他(🦆)遇到了她的老(🆙)朋友们，社工们(🥍)，以及一家美沙(😾)酮诊所。在他的电(🚚)影处女作中(zhō(🐛)ng )，Bas Keizer温(wēn )柔(róu )又(yò(🤾)u )有(yǒu )力(lì )地(dì(🗄) )表(biǎo )现(xiàn )出(chū(🥖) )了(le )一(yī )个(gè )必(🌝)(bì )须(xū )要(yào )快(kuà(🖕)i )速长大的男孩(🏹)的样子。 大和击(🤙)沉。