藝(🏈)術家自古皆寂寞(mò )或(📫)許是(shì )境(🕺)界，人到中(zhōng )年(🐑)萬事(shì )憂(🤕)則是現實(😗)。在畫室洋洋灑灑呈現(🧤)自由雄風(🍵)的裸(📈)男畫作令(😉)他一舉(jǔ(🤑) )成名，在家面(miàn )對前妻(🕙)(qī )懷着新(💑)(xīn )歡骨肉、與(🍦)女兒相處(🛵)尷尬卻令(🐁)他一籌莫展(🍙)。貝蒙特的(😲)寂寞，在於(💉)(yú )如(♈)何在(zài )著(🌵)名畫(huà )家(🕞)與單(dān )親爸爸(bà )雙重(🦖)身份、藝(🏘)術創作與家庭(🔀)生活之間(😇)取得平衡。維羅（《電影(🚭)就在街角(😨)(jiǎo )》，35 屆(jiè )）找來(🏡)(lái )合作多(⛲)(duō )年的編(🌞)(biān )劇兼美指好友對號(⚓)入座，還原(📑)藝術(🔸)家有血有(💔)肉的矛盾(⛪)本性，在出(chū )世與入(rù(🤚) )世的兩(liǎ(✴)ng )難外，毋忘點(diǎ(🐎)n )點超現實(🍉)的幽默。 不(🎣)管这导演嗑(♐)了什么很(🐁)纯的，全部(🚖)都要(📊)给你来(lá(🗼)i )一点！在澳(🈷)洲(zhōu )这座曾(céng )经被称(🍭)(chēng )作「无(💼)主之地」（Terra Nullius）(📮)的大陆，历(🐖)史以前所未见的观点(👚)重新诠释(🌩)：当《疯(fēng )狂麦(⏭)斯(sī )》末日(🍾)(rì )场景成(💧)(chéng )为难民拘留地，食人(🎗)羊成为反(⛪)殖民(🧀)叛乱份子(🧙)，《沙漠妖姬(💨)》与电视剧《请喜欢(huān )我(🚨)》有(yǒu )了跨(😅)时(shí )空的酷(kù(🆓) )儿对话…(💸)…本片以(⤵)近似DJ取样混(🔕)音之拼贴(🕛)手法，打开(🐧)了虚(🚗)构与史实(🏦)(shí )间的神(🔏)(shén )秘黑洞(dòng )，大量(liàng )援(🦎)引电(diàn )影(😓)名场景与历史(🎽)典故，穿越(♋)时空与各种语境，重写(👩)、改写、(🌬)乱写，全面(miàn )毁(🦊)坏观(guān )众(💾)的三(sān )观(🌏)！这(zhè )是一部政治复仇(📬)预言，杂揉(🦒)讽刺(🧞)喜剧、生(🕖)态恐怖与(🥑)公路电影类型，写下(xià(⛵) )澳洲国(guó(🐖) )族神话(huà )从未(🆘)被(bèi )纪录(💝)的(de )史诗篇(🕕)章。 电影讲述了巡警铁(🉑)虎和车长(📰)赵涛(🧢)通过破获(🤫)蝎子盗窃(👌)国(guó )宝"青花(huā )壶"案以(🚯)(yǐ )及跨省(♑)(shěng )市盗卖(mài )摩(🏭)托车、自(🚫)行车的案件，维护了社(🥇)会稳定，解(🐤)除了误会和隔(🎄)阂，收获了(🈵)(le )各自的(de )爱(〰)情的(de )故事。 Jean Barreau leads a spiritual commune on the countryside and promises his followers a chance for a second life. When their doubles arrive at the house, the followers learn that Jean meant his promise of a second life quite literally. 又到了年末(🚵)，阿呆和阿(♍)瓜像(🕷)所有人一(🌗)样，开始为(🌮)圣诞节及新年PARTY做准备(🕰)，但是，作为(🥃)这(zhè )个世界(jiè(🍬) )上动手(shǒ(🐘)u )能力最强(🕙)的小发明家，怎么能跟(😊)普通人一(🐁)样来(🥡)装扮自己(🙌)的院子和(🏚)(hé )房子呢(ne )？于是(shì )，两(🚙)个(gè )好朋(📬)友(yǒu )开动脑筋(💟)，对自己的(🤩)家展开了不一样的改(🎊)造，当然，他(💹)们也没有忘记(🍠)帮(bāng )自己(🕗)的(de )好朋友(🛀)(yǒu )选一件(jiàn )“最好的礼(💕)物”。 Dave Stimple, an unfocused mattress store owner, is having issues connecting with everyone around him. He arrives at the shop one morning to find the local health and safety people have shut him down. Bugs, huge bed bugs and lots of complaints are cited as the reason. Dave is really confused and his relationships with his wife, friends, and his own humanity seem to be devolving and increasingly distracting anomalies begin to take over his reality. But his issues may not be as internal as they seem. “没有名(🧗)字的(👧)我，没有未(🌫)来的她”